Nothing has impressed me more about Japanese art then the samurai film. Maybe this says more about me then anyone else, but the dichotomies of violence and moral fortitude intermingling is closer to reality then 1000 “reality shows” on US television (or the European counterparts that the US TV companies stole from).
My favorite example is Zatoichi, the blind swordsman. His name is actually Ichi; “Zato” is ranking in the masseur business of Edo era Japan. He is also blind and has been since birth. What is amazing is the cohesion and continuity of the story lines woven through the 26 movies and 97 television episodes (with one exception noted here). He also is an impeccable swordsman with a very unique style; he can strike in huge arcs cutting down anything in his path (Wiki claims the style is called Iaidō).
What makes Zatoichi the best is the pathos of the stories. Zatoichi is a humble reject from the yakuza who cannot stand anyone who does evil things. He never draws his sword unless someone draws first. And do they always draw first. It is their last act upon the Earth.
One of my favorite story lines is when Zatoichi, while messaging an older woman who reminds him of his mother, finds out that her and her son are being strong armed by yakuza to get their territory that has been in their family’s hands for a generation. The yakuza hire some ronin to kill the mother and have the son sign over the territory. They burst in unexpectedly while Zatoichi is there. He is not quick enough to save the woman but quickly dispatches the ronin to heaven.
Later, by chance, he meets a woman who is waiting for her father. He finds out that her father was one of the ronin he had killed earlier. Wracked with guilt, he kneels with his back to the woman to allow her to strike him down. She stabs him but only in the arm. Later, a ronin who was sent to kill the mother but spared by Zatoichi tells her that Zaotichi killed her father because he was sent to kill the mother. He tells her that the son also lost a family member at that time. The son, wracked with guilt on being too weak to save his dead mother, vows revenge. He goes to the yakuza’s house to kill them all. But, Zatoichi steps in and does the job for him knowing that if the son tried, he would be dead in moments. He sends the son off with the daughter of his mother’s assassins to try to live a life freed from violence. That is Zatoichi’s lot: to fight so the innocent can stay pure. Did I mention he likes to gamble as well?
It does not get any better then that.
For a suggestion on where to go for the best of all the Zatoichi films, I suggest the following ones:
Fight, Zatoichi, Fight (Zatōichi kesshō-tabi)
Zatoichi and the Fugitives( Zatōichi hatashijō)
Zatoichi’s Cane Sword (Zatōichi tekka-tabi)
Zatoichi (2003 “Beat” Takeshi’s plays Zatoichi instead of Katsu Shintaro, who played in all the others)
Also, I would suggest the TV series as well. Each episode is 45 minutes of Zatoichi at his best.
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