Zipang. . . Cipangu. . . Giapan. . .

The name of Japan in its own language is nihon or nippon, alternate readings of kanji characters that mean “origin of the sun,” a name given it by China. The two names are interchangeable, with nihon being used in everyday speech and nippon used in more formal situations, for example by lawmakers or the straight-laced newscasters on NHK, Japan’s version of the BBC.

The first Westerners heard of Japan was through Marco Polo, who wrote about a strange country 1500 miles to the East of China called Cipangu, a place of great wealth where both temples and average homes were made of gold, and where the people were very polite, although they had a strange custom of eating human flesh.

The modern name of Japan has been filtered through many other languages, including traders in Malaysia (who called it Jepang), Manchuria (Zeppen), and the Portuguese (Iapan), and first appearing in English as Giapan.

For some reason, the Japanese have focused on the version Zipang as a cool, retro early word for their country, and this name is commonly found in books, video games, an anime and manga series, and computer CPU cooler.

(The anime Zipang is really good, by the way, a kind of Final Countdown in which a present-day Japanese ship is sent back to World War II…I recommend it a lot.)

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Understanding the Yugen Element In the Beauty of Japanese Arts & Crafts

When Westerners first began to visit Japan in the mid-1500s they were struck by the refined beauty and quality of the country’s arts and crafts. It was a kind of beauty and quality that they had never seen before.

This special quality of Japanese things was so commonplace that the Japanese themselves did not consider it unusual. Everything they made, including simple household utensils, had the same quality.

Japan’s traditional arts and crafts owed their special character to a merging of cosmic and Shinto concepts of harmony, sensuality and spirituality — ­a cultural factor that remains very much in evidence and in force among Japanese artists and craftsmen in present-day Japan.

The Shinto concept of harmony included the size and shape of things, how they were to be used, and their relationship with people. The spiritual element in Japanese things incorporated the essence and spirit of the materials used, and was based on both respecting and revering these inherent qualities.

The sensual element in Japanese arts and crafts was reflected by the things that people automatically find attractive ­harmony in shape, in size, in the relationship of the parts, in the interaction of colors, in their feel when touched, and in the vibrations they project.

After generations of refining their designs and techniques, Japan’s master artists and craftsmen achieved a kind and quality of beauty that transcended the obvious surface manifestations of their materials ­a kind of beauty that was described as yugen , meaning “mystery” or “subtlety.”

Quoting from my book The Elements of Japanese Design:

Yugen beauty referred to a type of attractiveness ­ beneath the surface of the material but in delicate harmony with it ­ that registers on the conscious as well as the subconscious of the viewer. It radiates a kind of spiritual essence.

The skill and techniques that were going into Japan’s arts and crafts by the 10th century became so deeply embedded in the culture that they were not distinguished from daily life, and were reflected in everything the Japanese did, from designing and building castles, gardens, homes and palaces to the creation of hand-made paper.

Despite the mostly Western façade that today’s Japan presents to the world yugen beauty is still very much in evidence in the arts and crafts, in traditional restaurants, inns, shops, wearing apparel and elsewhere in many unexpected places.

Yugen is another Japanese word I recommend that other people learn and use because it clearly identifies a concept that in other languages requires several sentences to explain­and in itself is an example of the traditional Japanese propensity to refine things down to their essence.

This compulsive reduction tendency of the Japanese is also dramatically demonstrated in their ability to design and manufacture miniaturized hi-tech products and in using nanotechnology to create new processes and new materials.

For a definitive look at the Japanese view and creation of yugen beauty, see Elements of Japanese Design - Key Terms for Understanding & Using Japan’s Classic Wabi-Sabi-Shibui Concepts.

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Ainu Recognition

Norimitsu Onishi reports in the New York Times that the Japanese government has recognized the indigenous rights of the Ainu people.

The Ainu had lived on Japan’s northernmost island for centuries, calling their home Ainu Mosir. But just as with America’s expansion West, the Japanese pushed north in the late 19th century in the first sign of their imperialist ambitions. Japanese settlers decimated the Ainu population, seized their land and renamed it Hokkaido, or North Sea Road.

And yet it was only a few weeks ago that the Japanese government finally, and unexpectedly, recognized the Ainu as an “indigenous people.” Parliament introduced and quickly passed a resolution stating that the Ainu had a “distinct language, religion and culture,” setting aside the belief, long expressed by conservatives, that Japan is an ethnically homogeneous nation.

The recognition — coming after decades of opposition by a government fearful of compensation claims — seemed timed to an international conference of indigenous peoples that Japan is hosting this week in Hokkaido. The Ainu’s lack of recognition could have proved embarrassing for Japan’s government, particularly since the conference also comes close to the Group of 8 summit meeting in Hokkaido next week.

In a study by the Hokkaido prefectural government in 2006, just under 24,000 people identified themselves as Ainu. Most were of mixed blood and lacked the telltale fair skin or hirsute features that distinguished older Ainu from the Japanese. But it is not known how many live outside Hokkaido since Japan has never conducted a nationwide census of Ainu.

“In Japan’s case, for better or for worse, the assimilation policies since the Meiji era were so successful that almost nothing remains of the Ainu’s traditional way of life,” he said. In 1869, one year after the start of the Meiji era, Tokyo set up the Hokkaido Colonization Board to encourage Japanese settlers to move to Hokkaido. The Ainu were eventually stripped of their land, forced to abandon hunting and fishing for farming, forbidden to speak their own language and taught only Japanese at school. That history — little known by the Japanese today and even among the Ainu themselves — was repeated later in Japan’s Asian colonies.

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Hibakusha Artist

NPR’s All Things Considered has an interesting biography (audio, 7:30 min.) of Japanese hibakusha (Atomic bombing survivor) artist, Ikuo Hirayama, who is now in his 70s.

Many of his friends died. Hirayama grew ill from radiation sickness and his white-blood-cell count plummeted, but eventually he recovered. He left Hiroshima, adopted Buddhism as a way of honoring the dead, and took up painting, practicing an ancient technique called Nihonga, in which colors are blended from ground-up mineral pigments, then attached to the canvas with glue.

Hirayama became famous as a painter of Buddhist images and of the Silk Road, the highway that brought Buddhism to Japan. His Silk Road paintings convey Hirayama’s belief that the road, with its exchange of commerce and ideas, showed that cultures can interact constructively. The paintings epitomize a sense of hopefulness and cooperation, peace and tranquility, the antithesis to Hiroshima, 1945.

One of Hirayama’s most powerful works is a huge, six-paneled canvas called “The Holocaust of Hiroshima.” It’s a striking painting; most of the canvas is a blood-red sky, filled with wisps of dirty clouds. In the upper right, the Buddhist god of wrath looks down upon the city. Hirayama says that despite the sorrow and destruction portrayed in “The Holocaust of Hiroshima,” the painting offers a message of hope.

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Douglas MacArthur

You probably don’t think about Douglas MacArthur very much, but to the Japanese, he’s quite a figure.

As Supreme Commander of the Allied Forces in the Pacific, he battled the Japanese throughout the region, and his was the hand that officially received the surrender on the USS Missouri, ending the war. But to the Japanese, it was in the postwar period that MacArthur did great things, guiding the rebuilding of Japan as a “kind and loving father” to the nation, not entirely different from the Founding Fathers of the Meiji Restoration 78 years before.

MacArthur brought in many democratic reforms, writing a new anti-war constitution. He broke up the zaibatsu conglomerates and redistributed five million acres of land to individual farmers, which no doubt helped contribute to Japan’s healthy middle class today.

More than anything, I think that MacArthur knew the importance of not “stepping on the face” of the Japanese, to borrow a phrase from their language. They were defeated, but the General took care to protect the Imperial Family from responsibility for the war, which was an important symbol to the people. I can find no evidence of “Abu Ghraib” like events during the Occupation, possibly thanks to the policy of choosing soldiers who had not fought in the Pacific theater, and thus had no special grudges.

A lot of the plans he implemented were undone after the Occupation ended, such as the ban on all forms of martial arts and Kabuki plays, but the important changes stuck. The generation growing up after the war ended has the most reverence for the man. When I asked my wife’s mother what her impression of him was, she practically gushed. “It’s because of MacArthur that Japan is here today.”

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Komuso priest video

This video is up for votes on Current.TV here.

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Komuso - Japanese Zen Priest

A chance encounter with a vision from Japan’s past

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A vision from the past - A Komuso Zen Priest

While I was in Nagoya last month, I was walking to my temporary home for the night (i.e. an internet cafe) when I encountered a vision out of Japan’s past - a Buddhist priest playing a Japanese flute known as a Shakuhachi.

The Shakuhachi player was dressed as a Komuso, a type of Zen Buddhist priest who once wandered throughout Old Japan playing their flutes for alms and meditation. Like some kind of ghost, the komuso just stood there playing his flute while people walked around the him practically ignoring him as he ignored them. It seemed a thing unreal.

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Japanese-Russo Dispute Over Islands

japan-russia-map.JPG

In a Reuters article a few weeks back, I got a history lesson on four disputed islands north of Hokkaido.  The article discusses these sparsely populated islands and their history.  A few tidbits:

  • 17,000 Japanese fled or were forced from the islands after the invasion in August, 1945 — just after Russia declared war on Japan and just a week before Japan surrendered.
  • About 7,900 Japanese who once lived on the islands are alive today and their average age is 75.
  • About 16,000 Russians live there now.

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Timothy Harada: Japan-U.S. Stereotypes

Timothy Harada, a musician whose music we have played on the Japan Talk pocast, has written something titled “Contrasting US and Japanese steretypes of each other Before, During and After World War II” for the the Sendai Voice.

Before, during and after World War II, the stereotypes Japanese held of United States (US) citizens and the stereotypes US citizens held of Japanese citizens changed drastically. At a certain time before World War II, some Japanese held a neutral feeling about people from the US, while others held a positive view of US citizens and US culture. In the US, compared to other Asian nationalities, there were many positive feelings about Japanese citizens as well. Leading up to World War II, however, the US government and US writers created myths that all Japanese were despotically ruled, automatons, who would do anything for the glory of their emperor-that they were the new eastern imperialists. In response, Japanese writers began to create myths that all people from the US were evil, barbarous, imperialists as well. Nonetheless, directly after World War II was over, these myths changed drastically. Amazingly, the negative stereotypes held on both sides changed into positive stereotypes almost overnight. Over the last half of a century, the stereotypes on both sides have oscillated back and forth, between good, neutral and bad, due to many varied circumstances. What caused such drastic changes in stereotypes between citizens of the US and of Japan? What can be done to insure that people of different cultures maintain positive images of one another? What can be done to insure that peace is maintained between the US and Japan?

Read the whole thing here.

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City TV show’s version of history stinks

Aizuwakamatsu CastleJapanese broadcaster TBS has the citizens of Aizuwakamatsu in Fukushima Prefecture in an uproar after it reported on a recent game show that it was a massive build-up of human waste that cause the defenders of the Aizuwakamatsu Castle to surrender during a major battles during the 19th century.

Aizuwakamatsu Castle was one of the last holdouts of the Shogunate forces during what the Japanese call the Boshin War, the conflict between the feudal Shogun warlords trying to maintain the status quo and the Imperial forces aiming to restore the Emperor’s rule during the 1860s and 1870s.

The defenders of the besieged Aizuwakamatsu Castle (also known as Tsuruga Castle) have long been held highly as heroic, valiant fighters, pitted against overwhelmingly powerful foes in a fight they were doomed to lose.

The City of Aizuwakamatsu and its official tourist board have protested to TBS and to the production company that made the show, demanding an apology and a retraction.

Thanks to Mr. Pink

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New York Times Roundup

The New York Times has a quartet of articles related to Japan.

One article deals with a lawsuit regarding WWII forced suicides. I have not heard much about this issue before and it is quite interesting. The topic of revisionist history is a universal one. In this particular case an author wrote about these suicides and was sued for defamation but the lawsuit was just thrown out.

A Japanese court has rejected a defamation lawsuit against Kenzaburo Oe, the 1994 Nobel laureate in literature, agreeing with his depiction of deep involvement by the Japanese military in the mass suicides of civilians in Okinawa toward the end of World War II.

The defamation lawsuit, filed in 2005, was seized upon by right-wing scholars and politicians in Japan who want to delete references to the military’s coercion of civilians in the mass suicides from the country’s high school history textbooks. Last April, during the administration of Shinzo Abe, the prime minister at the time, the Ministry of Education announced that references to the military’s role would be deleted from textbooks.

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Kjeld Duits: Old Photos of Japan

The other day we got email from renowned Dutch journalist, photographer, and producer Kjeld Duits letting us know that he is a regular reader of JAPUNDIT. He also took the opportunity to alert us to a new blog he has started that is dedicated to old photographs of Japan.

Old Photos of Japan is dedicated to photographs from Mr. Duits’ private collection of thousands of rare photographs, postcards, and maps of Japan. It is a multilingual photoblog with daily uploads of rare photographs and postcards of Japan between 1860 and the 1930’s.

What makes Old Photos of Japan especially interesting for Japundit readers are the Google Maps. They make it possible to find the exact location displayed in the image. Lots of fun if you know Japan well. Often, the entries also feature historical maps showing where the photographer stood some 100 years ago to make the shot.

These images display an abundance of information about the urban settings and customs of Japan. Well-researched articles accompany the images. Many of the articles contain maps and additional illustrations, making them a fun and useful resource on Meiji, Taisho and early Showa Japan.

The photographs can be searched by keyword, period, theme, location, photographer and medium.

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Hotel Hiroshima

Hiroshima

Slate.com, one of my favorite websites, has an article on Hiroshima which I found disappointing.  It’s long (very long — whatever happened to being concise?), unfocused, and somewhat pointless.  Despite that, it does raise a few thought-provoking questions and makes a couple of interesting observations even while rehashing a lot of old material.  Points of note include the banality of much of modern day Hiroshima (Starbucks, KFC, McDonalds, etc.), comparisons to current issues of 9/11 commemoration, and why A-bomb victims deserve special recognition over other war dead.  You won’t miss much if you give this article a pass, but if Hiroshima and its place in history interests you, give it a quick read.

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mmmm…jerky

scattered around buddhist temples in the tohoku region of japan there are mummified bodies enshrined in . practitioners of an ancient set of rituals known as shugendô, these monks actually mummified themselves in a prolonged act of asceticism. believing that they could attain enlightenment in a mere ten thousand days (about 8 years, 2 months, and 19 days) by adhering to a strict diet, keeping a strict schedule of meditation and exercise, and slowly poisoning themselves.

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Dezomeshiki: FireFighting Japanese Style

The Tokyo Fire Department puts on a blazing show

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Japanese Firefighters of the past - Hikeshi - show their stuff

Dezomeshiki - it’s any five year old boy’s dream come in the form of blaring fire engines, fires, firefighters, and piercing fire sirens. Dezomeshiki is an annual event where the Tokyo Fire Department calls together all of its units spread through-out its wide-flung metropolis to put on a review of all of their equipment, vehicles, and techniques.

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Modern-day firefighters of the Tokyo area

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Japan’s first English teacher

It’s interesting, looking at Japan through some of the “firsts” in its history.

Like John Kendrick, the ship’s captain who participated in the Boston Tea Party and fought in the Revolutionary War then went on to be an explorer, eventually becoming the first American to visit Japan.

Or Horace Wilson, a teacher at the predecessor of Tokyo University, who thought it’d be fun to teach his students to play baseball back in 1873, which was the beginning of the long history of the sport here.

Ranald MacDonald monumentThe first English teacher in Japan, if you’re curious, was a half-Chinook, half-Scottish man with the unlikely name of Ranald MacDonald. After hearing of the plight of three fishermen who washed ashore in Washington State but were unable to return to Japan because of their country’s sakoku (closed country) policy, he started to feel a strange kinship with the Japanese people, which is interesting since we now know that American Indian and Japanese are indeed connected by blood.

He decided to go to Japan, despite the fact that it was death for foreigners to enter the country, and booked passage on a whaling vessel that would take him close. Pretending to be a survivor from a shipwreck, he was rescued by the aboriginal Ainu and handed over to the local Samurai lord, who shipped him off to Nagasaki.

The Japanese had a long relationship with Dutch traders, but none of them could speak English, despite the recent rise in power of England and the United States, so the officials got the idea of having MacDonald teach English to a class of fourteen students. The studies paid off, and when Admiral Perry showed up in 1853, students trained by MacDonald were able to communicate.

Today there’s a commemorative statue in Nagasaki thanking Mr. MacDonald for his contribution, and if I know Japan, I’m pretty sure they sell little cakes or rice crackers with his face on them, too.

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Momote Shiki: Japanese Archery Ritual

Centuries-old ritual held for the fortune of new adults

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Archers in old style kimono preparing to shoot in the archery ritual known as Momote Shiki

Seijin-no-Hi or Coming of Age Day is celebrated all throughout Japan on the second Monday of January. Throughout the country, similar ceremonies and activities take place among those newly turned 20 such as the wearing of special kimono, going to shrines, attending speeches, and so on. At Meiji Shrine in Tokyo, a unique ceremony takes place that is often overlooked in favor of seeing the kimono-clad girls that populate the shrine on that day.Behind the main shrine complex an archery ritual known as Momote Shiki is performed for the good fortune of all those turning 20 and becoming new adults. Archers wearing a style of formal kimono that samurai once wore in olden times shoot two arrows a piece at a central target.

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Archers arriving at Meiji Shrine in Tokyo

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Momote Shiki Japanese archery ritual videos

On Seijin-no-Hi (Coming of Age Day) in early January in Japan, an archery ritual known as Momote Shiki is held at Meiji Shrine in Tokyo for all those turning 20 for that year.

10 Archers at a time shoot two arrows at a central target. The ritual is performed by the Ogasawara-ryu school of archery.

Here’s a short clip of a Shinto Priest shooting the Kabura-ya (whistling arrow):

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Yasukuni filmmakers threatened

A film company is feeling the heat from Japanese extremists over a documentary they are planning to release about Yasukuni Shrine.

“The threats began about two months ago, when we started press screenings of the movie in Japan,” [Chinese-born director Li Ying] told The Hollywood Reporter in Berlin, where “Yasukuni” screened at the Berlin International Film Festival’s Forum sidebar. “The threats have gotten worse and worse as we have gotten closer to the Japanese theatrical release of the film in April.”

Yasukuni

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The origins of the Japanese

Check out this article on the origins of the Japanese from Discover Magazine.

Unearthing the origins of the Japanese is a much harder task than you might guess. Among world powers today, the Japanese are the most distinctive in their culture and environment. The origins of their language are one of the most disputed questions of linguistics. These questions are central to the self-image of the Japanese and to how they are viewed by other peoples. Japan’s rising dominance and touchy relations with its neighbors make it more important than ever to strip away myths and find answers.

The search for answers is difficult because the evidence is so conflicting. On the one hand, the Japanese people are biologically undistinctive, being very similar in appearance and genes to other East Asians, especially to Koreans. As the Japanese like to stress, they are culturally and biologically rather homogeneous, with the exception of a distinctive people called the Ainu on Japan’s northernmost island of Hokkaido. Taken together, these facts seem to suggest that the Japanese reached Japan only recently from the Asian mainland, too recently to have evolved differences from their mainland cousins, and displaced the Ainu, who represent the original inhabitants. But if that were true, you might expect the Japanese language to show close affinities to some mainland language, just as English is obviously closely related to other Germanic languages (because Anglo-Saxons from the continent conquered England as recently as the sixth century a.d.). How can we resolve this contradiction between Japan’s presumably ancient language and the evidence for recent origins?

Found via ZR5 Asian News.

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